They say that you should never judge a book by its cover, but we all know that that’s codswallop. We all do it. The cover can set the tone for the entire book. It can widen an audience, appealing to those who would never otherwise pick it up.
Judging a Book
I feel like I’ve been mentioning 50 Shades of Grey far too much of late, but it is a classic example. On the face of it, with the loosened tie flung casually against the limited blue colour pallette (see picture below, far left), the unsuspecting observer would assume that it was crime-fiction. Judging a book by its cover is the reason that the Harry Potter series begun churning out a simultaneous “Adult” edition and a “Children’s” edition – to appeal to both markets (see picture below, far right). One of my personal favourite set of covers is the original Terry Pratchett covers by Josh Kirby, what a dude (see picture below, second from left). I also recently mentioned a fantastic example of amusing cover art for Fifty Shades of Alice in Wonderland -worth a peek.
My cover artist of choice: shaun tan
As always, my cart is way before my horse, but if I could get anyone at all to create the cover for my progressing novel (or perhaps series of novels), it would be Shaun Tan. Shaun Tan is an awesome Australian illustrator who has won countless awards. He has an amazing dark imagination which always has a touch of humour. I am a huge fan, and am a proud owner of Tales from Outer Surburbia and The Arrival. His illustrations have a real folklore-ish and fairy tale-like quality which I think would match well with my story in Four and Twenty Blackbirds. There is also a touch of steampunk in his work, which is a genre that I really enjoy. I hope my words could live up to his artwork. Ah, to dream.