Tag Archives: Horror

Lovecraftian Longings

LovecraftShameful to say, I have never read a single work by H.P. Lovecraft – a classic  master of horror rated alongside Edgar Allan Poe.

According to Stephen King: “Now that time has given us some perspective on his work, I think it is beyond doubt that H. P. Lovecraft has yet to be surpassed as the Twentieth Century’s greatest practitioner of the classic horror tale.” It is high praise indeed. I’ve only ever been mildly into the genre of horror, by why is it that I had never come across the actual works of Lovecraft until I stumbled across him in my research.  Shame on me, perchance. I had heard the name ‘Lovecraft’ bandied about, and like many unknown references, it was one I let lie. In my defence, I have never come across his books while browsing the sci-fi/fantasy/horror shelves in bookstores, or in libraries. Perhaps it was my personal oversight or a defiencies in the venues I frequented. Either way, I feel a little cheated.

His influence is wide ranging, for example the Arkham Asylum in Batman is attributed to Lovecraft. His fans include Neil Gaiman, Jorge Luis Borges and Michel Houellebecq. Not to mention, David Bowie, Metallica and Black Sabbath. An impressive fan base to be sure. So I will presently be embarking on my Lovecraftian horror adventure, I hope it will be as fulfilling as when I first stumbled across John Wyndham. The bonus is that all of Lovecraft’s works are out of copyright, so Project Gutenberg, here I come.

Tor UK now accepting direct author submissions

Tor Books

Tor UK is the Pan Macmillan imprint specialising in science fiction, fantasy and horror. Until now, Tor (as with many other mainstream publishers) did not accept direct submissions. In a recent blogpost announcement, Tor Books has now opened its doors to the floodgates.

Tor’s authors include Douglas Adams, James Herbert, Robert Jordan and Amanda Hocking. I wonder if it was the acquisition of the self-published success story Amanda Hocking that inspired the move. The refusal to accept direct submissions has made most publishers more and more insular over the years. Brick and mortar publishers come to become over-dependent on their already established authors, as well as on literary agents to be their filtration system for submissions. This wider casting of the net seems to be part of the general trend of the larger publishers, who have begun to realise that the self-published market is becoming a real competitive threat. Especially in the SFF genre.

It does mean that Tor will be inundated, I wonder how will they sift the chaff? I know from my experience of working at a publisher who did accept direct submissions, anyone from the postroom staff to HR who volunteered to read through the slush pile can be a filter for submissions. The likelihood that it will get to the eyes of the editor is unlikely, as sadly, the majority of submissions are, for want of a better term, slush. Tor’s filtration system for submissions will be the true test of whether their bold move into the brave new world of publishing will work.

Tor will accept English language full length novel (95,000 – 150,000 word) submissions in the genres of science fiction, horror and fantasy only. Submissions need to be via email: TorUKSubmissions@macmillan.com.  Have a look on the Tor Blogpost for details of how to submit your work.

The Financial Reality of a Genre Novelist

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GalleyCat today has posted a mildly depressing article about the Financial Reality of a Genre Novelist. It specifically mentions those who work in the genres of Sci-Fi, Fantasy and Horror. Essentially the GalleyCat article relates the obvious truth that we all know (or at least suspect), that it’s really hard to make a living writing books. So I guess I won’t be giving up my day job any time soon.

I do still hold out hope that mine will (once finished) be the next big thing. Don’t we all.

But these are all distractions. The cart is way before the horse. Finish the book first, that will be a feat in and of itself.

Making Magic with Words

I do need to remember that it’s just about writing words, and loving them and cultivating them so that they make magic. It’s not about complexity, simplicity is often best, take the example from the science fiction writer Fredric Brown below:

The Shortest Horror Story

OK, so it’s a little gimmicky, but it’s also a little bit genius. It’s a reminder to practice paring down writing and ideas so that the magic isn’t hidden away by all the fluff around the edges. Every word should fight for its right to be there. Not unlike my day-job writing contracts. I love words.